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Your Portal to the Digital Humanities at the University of Virginia

University of North Carolina Chapel Hill

In this class you will learn about the ways that digital technologies are changing the making and study of literature. The main goal, however, is to become a producer of creative digital materials. You will develop multiple projects with the aim of generating new knowledge about literary texts and of producing your own digital creative works. You will also develop your skills in collaboration, managing online content delivery, and computational/multimedia composing. And you will explore your own imagination, taking risks and experimenting with what it means to develop and...

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This semester 371 is an introduction to canonical works of Early Modern Spanish literature. We take a novel approach to the reading and interpretation of masterpieces of Spanish literature to revisit the notion of canon, and to challenge standard disciplinary approaches that constrain Spanish and Portuguese within the boundaries of national literary and cultural traditions. We do this by following the way to stardom of iconic literary characters like Don Quixote, or Don Juan, from their birth to today, through the theoretical framework of comparative cultural studies. As we read our...

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Course Summary: General Expectations Like all other Spanish courses, Span 260 is a lot of work! Moreover, a literature course requires a little more discipline than a language course. You will be reading literary texts, in their original language and form, and some of these might be challenging. Therefore, you are expected to work on the material on a daily basis and to schedule yourself so that you have time to read the complete text, assimilate the material and participate in class. However, it is worth the work because it will help you solidify the background you...

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Spanish and Spanish American literary works will help us understand how the Spanish language changes overtime, and challenge us to find answers for the above questions and many others in relation to linguistic attitudes and the historical construction of linguistic identity. Have you ever thought about the language you speak? If the answer is yes, surely you might have wondered: Where does my language come from? How does it change? What are its relationships with other languages? How do its literary and cultural production reflect such evolution and connections? In this course we will...

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This course introduces students to book history and scholarly editing through the frameworks of media studies and digital humanities. In this course, we will:

• learn basic bibliography;
• study literary texts as material documents, examining the relationship between form and meaning;
• trace the development of textual studies;
• challenge our expectations of both print and digital media;
• critically analyze a variety of digital humanities projects;
• explore remediation and other key concepts in media studies;
• and, of...

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We tend to imagine writing as mysterious and opaque – a gift of the Muses, that descends upon us in manic bursts of creative energy. As a result, we spend much of the time that we may have to write not writing but rather waiting to write: waiting for just the right mood, just the right place, just the right lighting, noise, or level of caffeination, in the hopes that inspiration may strike. (We’re all guilty of it!) It is the goal of this course to rid us of these beliefs and habits. Writing is, as any productive writer will tell you, not a lightning bolt of clarity but a slow and...

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The book’s role and significance within literary culture is being scrutinized today with an intensity unseen for five centuries. Nowhere is this questioning more acute, sophisticated, and nuanced than in the burgeoning field of the book arts, an umbrella term encompassing artists’ books, book sculpture, zines, and print-oriented forms of electronic poetry. This is an inherently collaborative and interdisciplinary field. Its practitioners skirt the thresholds between visual art and literature, technology and philosophy, producing uniquely bookish artifacts that defy easy categorization....

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This course has two complementary goals. The first is to introduce the history of technologies used to produce and circulate literature, from the parchment upon which Beowulf is written to the social media platforms exploited by netprov artists. This history provides a broad overview of the material conditions of possibility for the emergence of literary form and genre in the Anglophone tradition. The second goal is to examine how digital media are transforming scholarly publishing and communication by reflecting upon our own writing practices and their attendant technologies. By...

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Perhaps no single activity defines college more than reading. We read textbooks and text messages, perform “close readings” of literature and “read between the lines” of course descriptions. Some readings are dense, and we struggle to discern their meaning; other texts are skimmed quickly. We take our literacy for granted, giving barely a thought to the complex neurological processes that enable us to interpret these lines. In an age of artificial intelligences, even machines “read.” In this seminar, we explore the histories, sciences, and technologies of reading. Guest lectures and...

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